A Pin To See the Peepshow by F. Tennyson Jesse

In the history of the world it is only we -- we who are young now -- who are really going to know about life. 

I bought this Virago Modern Classic more than five years ago, after Simon and Rachel discussed it in the wonderful podcast Tea or Books? I was going to say "I can't believe I've waited so long to read this" but who am I kidding? I have more than 150 unread books and the pile never seems to grow any smaller. But I recently joined a Goodreads book group that discusses middlebrow books and it was their June pick! (The group has also caused me to buy more books, so I don't know if it's really a win. I'm really enjoying the books though).

It took me awhile to get started, but I zoomed through this book in only three days -- pretty good since it's just over 400 pages. It's one of several books inspired by the Thompson/Bywaters murder trial in the 1920s. I knew nothing about the case other than what I'd heard on the podcast several years ago, and I remembered none of it -- I couldn't even recall who the murder victim was though I had my suspicions. 

I really liked this book but I was surprised at how long it took to get to the actual crime, more than 300 pages. It's really a character study of a young lower-class woman growing up in the Edwardian/WWI period. The protagonist is renamed Julia Almond and the story begins when she's off to school, aged about 16. As one of the upper-level pupils, she's tasked one day with briefly overseeing some younger students, one of whom has a tiny peepshow, a sort of mini-diorama you peer into through a tiny hole. This peepshow acts as a metaphor for Julia's life -- over the next ten years she's observing what she wants and will never have, due to circumstances beyond her control.

I think this is the original dustjacket.
Nice illustration but it doesn't even give a hint about the story.

Julia soon leaves school and studies fashion drawing and French, which leads her to a minor job at a fashion house in London. She's a quick study is working her way up in the business when the Great War begins. People are spending money like there's no tomorrow (and for some, there won't be) and she makes fashionable friends and hopes for a better, more exciting life. 

However, her father dies suddenly leaving Julia and her mother without enough to live on, and they are forced to combine households with her uncle and his family, including a younger cousin Elsa. It's tight quarters and they're obliged to share a room, which overwhelms Julia, and she makes the rash decision to marry an older friend of her father's, Herbert Starling, just to get out of the house. Having had a taste of independence, Julia isn't satisfied as the compliant little wife by the hearth that Herbert has envisioned, and the marriage is doomed from the start. Julia isn't a particularly likable character, but I absolutely sympathized with her frustration and lack of choices for women in the time period, particularly middle-class women who were judged by a much higher standard than lower or upper-class women of that era.  A Pin To See the Peepshow was published in 1934, about twelve years after the murder, and I wonder if it was quite shocking for its time as it covers some topics that are still pretty divisive today.

This book is very character-driven and Jesse takes a long time on developing Julia. Most of the other characters are also well drawn. The murder portion of the book is really only the last 100 pages or so and did feel a bit rushed in parts. The author does spend a good bit of time on Julia's thoughts during and after her trial, and thankfully leaves out a scene at the end which is probably best left to the imagination. My Virago edition also includes an excellent epilogue by the writer who adapted it as a 1973 mini series. (There's also a new British Library Women Writers edition which includes an introduction by Simon!) I was hoping someone had uploaded it to YouTube or other streaming service but I haven't been able to find it. It starred Francesca Annis who I can perfectly imagine as Julia. 

This is book #7 for the TBR Pile Challenge.

Classics Spin #26

Time for another Classics Spin, #26! I'm getting close to the end of my second Classics Club list. A week from today, April 18, the Spin will assign me a random number which will determine the next read from my list. 

I only have 17 books left, and I also eliminated a few that I know I won't read right now. Therefore I have doubled up most of them to make it an even 20. To make it a little more interesting, I've put them in reverse order alphabetically by author. Here's my list:

1. La Debacle by Emile Zola
2. La Debacle 
3. Jenny Wren by E. H. Young 
4. Jenny Wren 
5. Ralph the Heir by Anthony Trollope 
6. A Few Green Leaves by Barbara Pym 
7. A Few Green Leaves 
8. The World My Wilderness by Rose Macauley 
9. The World My Wilderness 
10. The Little Ottleys by Ada Leverson 
11. The Little Ottleys 
12. Invitation to the Waltz by Rosamond Lehmann
13. Invitation to the Waltz
14. A Pin to See the Peepshow by F. Tennyson Jesse
15. A Pin to See the Peepshow
16. Mandoa, Mandoa! by Winifred Holtby
17. Westwood by Stella Gibbons 
18. My American by Stella Gibbons
19. The Caravaners by Elizabeth von Arnim 
20. The Caravaners 

I'm really hoping for Jenny Wren or The Caravaners. I will also probably read La Debacle for Fanda's Zoladdiction. 

Bloggers, have you read any of these? What's on your list? I'm looking forward to my next Spin selection! 

Classics Spin #24: Troy Chimneys by Margaret Kennedy

Another Classics Spin success! I always look forward to the Spins, they motivate me to read the books that I keep putting off. I bought this in June of 2017, on a trip to London in the hottest week of the year. . I had a bit of nostalgia when I found the receipt still stuck in the back of the book, from a used bookseller on Charing Cross Road. (I paid £5 for it, one of three green Virago Modern Classics purchased that day). 

Troy Chimneys by Margaret Kennedy had all the signs of an ideal read for me. Published in 1953, the story begins with correspondence in 1879, between two brothers-in-law. The honorable Frederick Harnish is researching some family history while recuperating from something unspecified, and requests some papers left by an ancestor, Ludovic, who died in 1830. He's specifically looking for letters he might have written, and what emerges are letters and diary entries from Ludovic's lifelong friend Miles Lufton, the owner of a property called Troy Chimneys. So, essentially this is a mid-century book about a Victorian researching a Regency ancestor. 

What follows are the memoirs of Miles Lufton, a former MP from Wiltshire. The actual property called Troy Chimneys is mostly peripheral -- it's really just slices of life in the early 1800s by a man on the fringes of upper-crust society. Son of a clergyman, he really doesn't have any money, but uses his Oxford connections to gain a seat in Parliament, though that's not a big part of the book either. It's more about his everyday life, though there are hints of a family scandal that is revealed at the end of the story.

Not a long book at just under 250 pages, but not what I'd call a quick read. It was slow going at first as the story is first framed by correspondence regarding the history of the late relatives, and also a bit confusing as Lufton begins to explain the history of his family -- I really should have written down a family tree as I was reading. It's also a bit confusing because Lufton sometimes refers to himself as Pronto, which is sort of his alter ego, the sociable persona he adopts to make himself interesting and in demand as a guest with the upper-crust people. It's also a bit confusing that two of the characters are Lufton and Ludo. 

But I really did enjoy it. What I liked most about it was that it was really written in the style of the Regency period -- it probably slowed down the reading, but I really felt like this could have been written by Jane Austen or one of her contemporaries, thought it's definitely from the male point of view. Miles could absolutely have been a minor character in a Jane Austen novel, like Mr. Yates in Mansfield Park or Captain Fitzwilliam in Pride and Prejudice -- probably as a sidekick to a leading man, but a younger son without much money. 

The book does include a Jane Austen reference which delighted me: 

But over novels she was obstinate; she could not like them. . . . she objected strongly to anything sentimental, nor would she listen to my pleas for my favorites: Emma and Mansfield Park, of which she complained that they kept her continually in the parlour, where she was obliged, in any case, to spend her life. A most entertaining parlour, she allowed, but: 

'That lady's greatest admirers will always be men, I believe. For when they have had enough of the parlour, they may walk out, you know, and we cannot.'

Interesting that a woman of the period (albeit fictional) would have thought of it that way! Yet very true. And so ironic since nowadays the majority of Austen's fans are women.  

So, a very successful Spin pick, and I hope there will be another before the end of the year. Only 18 books left on my Classics Club list! I'm tempted to try and finish it in 2020, though there are several doorstoppers which would probably slow me down. Still, it's worth trying. 

Bloggers, did you participate in the latest Classics Spin? Did you enjoy your pick? 

Roughing It by Mark Twain: Tall Tales (and Some Racism) in the American West

Published in 1872, Roughing It is a semi-fictional account of Mark Twain's travels and misadventures in the American west during the 1860s. The story begins with Twain eagerly accompanying his brother Orion to the Nevada Territory, where Orion has been appointed Secretary. After an extensive stagecoach journey, he spends time in Nevada before visiting Salt Lake City, then failing as a miner in California. Twain begins to support himself by taking various writing and newspaper jobs, which eventually take him to Hawaii. 

This book is full of wry humor and amusing descriptions of life in the Wild West, including some tall tales and colorful characters. However, it's sprinkled throughout with a lot of racist comments -- Twain is particularly unpleasant about native Americans and Hawaiians, though he includes pretty much every non-white group in American at the time. I realize this was the prevailing attitude of the times, but honestly, there were some serious yikes moments for me. It was very disconcerting because there would be amusing chapters about ridiculous characters and situations  -- and some not so ridiculous, but downright scary, like the time Twain and his companions set off a massive forest fire. In another instance, Twain and his companions were trapped on a tiny island in the middle of an alkali lake after their boat drifted off. A storm was brewing and they narrowly escaped perishing (if the story is to be believed).

This was a slow book, and I listened to most of it on an audio download from my library. There are several editions available. Mine was read by Robin Field who is an excellent narrator, and I probably would have given up on the book much earlier if I had just been reading the print copy. 

Honestly, the only reason I read this book was because I'd bought a copy years ago and it was on my pile for the Big Book Summer Challenge, and also on my Classics Club list. If it hadn't been available on audio I probably wouldn't have stuck with it. Twain is good at spinning out an entertaining yarn, and if you like a dry and occasionally ridiculous style of humor, it's mildly amusing if you can skip over the racism. I also have a copy of Twain's Letters From Hawaii that I bought in Waikiki about ten years ago. It's much shorter and I may give it a go in a few months just to get it off the shelves and donate it to the Little Free Library on my street.

Imperial Palace by Arnold Bennett: Upstairs and Downstairs in a London Hotel

He knew the exact number of guests staying in the hotel that night; but their secrets, misfortunes, anxieties, hopes, despairs, tragedies, he did not know. And he would have liked to know every one of them, to drench himself in the invisible fluid of mortal things. He was depressed. He wanted sympathy, and to be sympathetic, to merge into humanity. But he was alone. He had no close friend, no lovely mistress -- save the Imperial Palace. The Palace was his life. And what was the Palace, the majestic and brilliant offspring of his creative imagination and of his organising brain? It had been everything. Now, for the moment, it was naught.

Imperial Palace by Arnold Bennett has been on my TBR pile for about 10 years, since I found a copy for $1 at the library's used Book Cellar. I was really hoping it would be the book assigned by the latest Classics Club Spin, I thought I'd try and tackle it anyway as part of my Big Book Summer reading challenge.

Set in the late 1920s, it's approximately a year in the life of two hotel employees at the eponymous hotel, a swank London establishment (based on the luxurious Savoy hotel). The manager, Evelyn Orcham, is in his late forties and has devoted his life to the hospitality business, working his way up from the bottom. He's now at the top of his profession, the most respected hotel manager in London. The other main character is Violet Powler, a young manager from the hotel's laundry division, who Orcham promotes to floor housekeeper and begins to fast-track her career to bigger and better things in the hotel. 

Their stories are intertwined with the arrival of the blustering Sir Henry Savott (baronet) and his impulsive daughter Gracie, one of the Bright Young Things of the London set, known for her fast cars and eccentric ways. It's mostly set in the hotel and supporting establishments, and follows their lives amid the day-to-day workings of the hotel, including difficult guests, a merger, a massive holiday celebration, love affairs, jealousy, gossipy employees, and potential scandals. It's a bit like Downton Abbey, only set in a 1920s hotel instead of a country house. (It also reminded me of Norman Collins' Bond Street Story, which I also loved). 

The lobby of the famous Savoy Hotel in London, inspiration for the Imperial Palace.
It is so posh I was afraid to go inside.

And the story is long, nearly 800 pages. It's not a difficult read, but I found myself reading it fairly slowly, spreading it out over several weeks. There are a lot of short chapters, like a Victorian novel, so there were plenty of stopping points; also, I really didn't want it to end. For the most part, I really enjoyed the characters, and I loved being in their world. I had a particular interest in this novel because years ago, I was employed at a large hotel in Chicago, where I worked in the kitchens as a pastry cook for almost two years. Of course I didn't see nearly all the minutiae of housekeeping and guests, but I learned a lot about how much work is involved in running a large operation, keeping all the departments coordinated and the logistics of large events. In the kitchens alone we had to deal with catering, ordering, stocking, room service, stewarding, and so on. A hotel is like a giant machine and all the parts fit together, and I am always fascinated by how much work goes into coordinating everything. Based on my own experience, Bennett must have had first-hand knowledge of how a hotel was run because that aspect of the book seemed really authentic. (Bennett also wrote about hotels in the much shorter novella The Grand Babylon Hotel, and briefly in The Old Wives' Tale). 

That being said, this novel was published in 1930 and there are some racist and sexist bits that made me roll my eyes. The hotel manager Orcham doesn't seem to think much of women's intelligence unless they are useful to him, and both the main characters are pretty xenophobic -- there are actual Italian and French employees, the horror! And I was pretty sure I knew how the book would end up, but there was one outcome that I did not like one bit, it was so sexist. 

Overall, though, I really did enjoy this book and it will probably be one of my favorites for the year. 

The Fruit of the Tree: Edith Wharton Tackles Some Big Issues

Whenever I find a little-known book by a famous author, I always wonder whether it's sadly neglected, overlooked, or . . . is it just not that good? Is there a reason why nobody reads it? This was my thought when I picked up The Fruit of the Tree, a 1907 novel written by one of my favorite authors, Edith Wharton. Written exactly between The House of Mirth and Ethan Frome (two of my all-time favorite classics) I was curious to know why this novel is so little read.

Juxtaposing both the society characters she knew so well and the social commentary, it's the story of John Amherst, a young, idealistic assistant manager at a large mill in the fictional town of Hanaford, probably somewhere in New England or upstate New York. We first meet Amherst in a hospital as he checks on the condition of a worker badly injured on the job. The doctor on duty (related by marriage to the factory's manager) stoutly protests that he'll recover, but privately, a volunteer nurse reveals to Amherst that the injured man will most certainly lose a hand, if not his entire arm.

Amherst is determined to change working conditions in the factory, and his chance arises the next day -- the factory's owner, newly widowed Bessy Westmore, is here to tour the factory she now controls after her husband's death. The factory manager is home ill, so Amherst seizes his chance to tell Mrs. Westmore the truth about the factory, and his hopes to improve it. He's young, handsome, and idealistic, and Mrs. Westmore is young, beautiful, and lonely, so one thing leads to another and they wind up getting married.

"He stood by her in silence, his eyes on the injured man."

Of course, nothing is easy or happy in a Wharton novel, and a few years later, neither John nor Bessy is happy. Bessy resents the time John spends at the factory, not to mention the money the improvements are costing, and John is disappointed that Bessy doesn't seem to share his hopes to make real changes. He's getting tired of fighting Bessy's family and the people influencing her to keep him out of the mill.

Meanwhile, the young nurse, Justine Brent has also reappeared -- coincidentally she's an old school mate of Bessy's who fell on hard times and had to make a career for herself. Amherst engages her as a personal nurse/companion to Bessy, but as his relationship to his wife cools, he finds himself more and more attracted to Justine and her sense of social justice.

There are some big, dramatic plot twists, and then it turns into a bit of a sensation novel, but much wordier (imagine Wilkie Collins and Henry James writing a novel together and stole the setting from Elizabeth Gaskell). It kind of alternated between being slow and cerebral, with dramatic events. I'd get bored but then all of a sudden something super-dramatic would happen, then it would slow down again. I don't know if it's quarantine brain, but I was having a hard time with the more cerebral bits.

The setting definitely reminded me of North and South by Elizabeth Gaskell, and there are definitely plot elements that foreshadow Ethan Frome -- there's a sledding scene that is symbolic, but not nearly as pivotal as Ethan Frome. Wharton also touches on some issues which must have been very controversial for their time. I suppose this could be why it just isn't as popular as some of her other works.

I was also a bit put off by the fact that my Virago edition was 633 pages long! However, when I started reading it, I realized there was an awful lot of white space on each page, the margins are huge. I compared it to my Modern Library copy of House of Mirth which is less than 350 pages long. I checked the iBooks downloads, and they're really almost the same length. And there are hardly any editions in print. I checked the page count from the original 1907 copy and it's the same, so I suspect they're just using the same plates as the first edition. So I guess technically it counts toward the Big Book Summer Challenge.

I'm glad I read it because I am huge Wharton fan, but I don't know if I'd really recommend it. However, it's one more book crossed off my Classics Club List and one more off my owned-and-unread shelves. I still own Hudson River Bracketed but I might have to take a break from Wharton, maybe I'll tackle her biography instead. 

Classics Spin #23: The Hireling by L. P. Hartley; and Some English Cathedrals

 

It's June 1st so that means it's time for my post on Classics Spin #23, which for me was The Hireling by L. P. Hartley. Published in 1957, it's the story of Stephen Leadbitter, a thirty-something man who earns a living as personal driver, taking customers in the car he is slowly paying off through a hire-purchase. Other than his job, he has a very solitary existence, no real friends or family. The aptly named Leadbitter had formerly been in the army and still lives his life very much as a disciplined military-type man. One day he takes on a job driving a wealthy widow on a day trip to Canterbury. Much to his surprise, she's young and beautiful. Lady Franklin, still mourning the death of her older husband, wants to visit all the cathedrals that her late husband loved, thinking it will bring her some kind of closure. 

Unlike most passengers who sit in the back and want silence or the radio, Lady Franklin wants to sit up front with Leadbitter and wants to her all about him. Since has little life outside of his job and he wants to please his customer, Leadbitter starts making up stories about an imaginary family, complete with a wife and three children. The trip goes well and Lady Franklin starts booking Leadbitter for more day trips around the countryside. Eventually, Leadbitter begins to look forward to the bookings, and begins to develop feelings for Lady Franklin, which leads to a very awkward moment and then spirals into something tragic and heartbreaking.

This was a fast read, and it wasn't at all what I was expecting. I don't know what I thought it would be -- a sweet love story? Driving Miss Daisy, but with white people? It was neither, though it definitely had a lot to say about class consciousness -- I honestly did not see them having a happily ever after (and now I'm having serious doubts about the romance between Tom the chauffeur and Lady Sibyl in Downton Abbey). I had only read one other book by L. P. Hartley which was The Go-Between, which I really liked, and which also has a lot to say about love between the classes. I've also heard wonderful things about The Boat and the Eustace and Hilda trilogy from Simon at Stuck in a Book. 

This book also reminded me of the trip I took to England in 2018 with my mother, which was mostly a Jane Austen pilgrimage but did include several churches and cathedrals -- we didn't make it to Canterbury but we did visit St. Paul's in London (I climbed all the way to the top!), Bath Abbey, Salisbury Cathedral, and Westminster Cathedral, where Jane Austen is buried. Just for fun, I'm including a few photos. 

St. Paul's dome

Front of the church. Loved the iconic buses passing by. 

Bath Abbey. We had amazing weather every day of the trip.

Spire of Salisbury Cathedral, the tallest in England at 404 feet. I did not climb it. 

The Salisbury Cathedral clock, c. 1386. Said to be the oldest working clock in the world.

Origami peace doves installation at Salisbury Cathedral

Winchester Cathedral 

The Winchester nave. It's 554 feet long, the longest Gothic church in the world.

The ceilings of Winchester were especially beautiful.

Jane Austen also gets a mention in The Hireling which amused me terribly: 

'. . . . Now read me what it says about Jane Austen.'

Putting one hand behind his back, he squared himself in front of the tablet. When he had finished reading, Lady Franklin said: 

  'I don't think she was kind hearted, do you?'

  'I couldn't say, my lady," Leadbitter said cautiously. It wouldn't surprise me if she wasn't.'

  'Why?'

  'Because with one or two exceptions,' and his voice faintly underlined the words, 'ladies aren't very kind-hearted, in my experience.' 

  'Oh, would you say so?' Lady Franklin said, made thoughtful by the compliment. 'Perhaps we haven't a very good name for it.'

  'It makes the others stand out,' said Leadbitter obliquely.' 

  Lady Franklin couldn't but lap up this repeated dewdrop. 

  'How sweet of you!' she said. 'I'm afraid I don't deserve - But Jane Austen had many qualities more valuable than kind-heartedness. At least, more valuable to posterity.'

  'I expect she was a tartar in her time,' ventured Leadbitter.

I don't know that I've ever heard Jane Austen described as a tartar but I know she had a biting wit and there are some real zingers in some of her letters, so it's quite possible. And here is the tablet itself, and the plaque on the adjacent wall, commemorating the great author:

So -- a good book, a little armchair traveling, and another book crossed off my Classics Club list! I've finished 27 of 50 on my second list, and I hope to finish more this summer. Did everyone enjoy your Classics Club spin picks? And how are your lists coming along? 

Hester: A Novel of Contemporary Life by Mrs. Oliphant

I counted the other day and I still have more than thirty unread Virago Modern Classics on my TBR shelves (though technically, some of them are not VMC editions). I'm desperately trying to take control of the TBR shelves, so Margaret Oliphant's Hester: A Novel of Contemporary Life was my pick for the May/June prompt of the Victorian Reading Challenge (long titles or sub-titles). 

First published in 1883, this is the story of two strong women in the fictional town of Redborough. The Vernon family name is synonymous with banking and stability, and in the beginning of the novel, a scandal erupts about 30 years prior -- John Vernon, head of the bank and the grandson of the founder of the Vernon family bank, has fled the country, and rumors are flying around town that there's about to be a run on the bank (if you've ever seen It's A Wonderful Life, you know exactly what this means: word is out that the bank doesn't have the funds and is about to collapse, so everyone rushes to the bank to get out their money before it's gone). 

Mr. Rule, the chief clerk, goes to Mr. Vernon's home in desperation, and he's nowhere to be found. His young and flighty wife insists that he'll be back soon, and offers the clerk all the money she has in the house, about 20 pounds. Instead, Mr. Rule does the unthinkable -- he approaches Mr. Vernon's cousin Catherine, a spinster, who is a shareholder but has naturally never been involved. Catherine is naturally concerned and with her funds and brains, she saves the bank, restoring the family name, and thus the town's revered and powerful benefactor. 

The story then jumps forward to the 1880s, and John Vernon's widow (known as Mrs. John), is returning to Redborough after the death of her husband. Mrs. John moved Abroad and joined her husband after she was forced to give up her beautiful home in the wake of the banking scandal, and she hadn't returned since. Now living in genteel poverty, she returns to the scene with her teenaged daughter Hester, who was born much later and knows nothing about this embarrassing episode or her father's role in it. She and her mother move into the Vernonry, a great old house that Catherine Vernon had converted into multiple dwellings, normally offered to impoverished relatives. All of them are living off Catherine's generosity, but most of them are bitterly resentful and disparage her whenever they can. 

Unfortunately, young Hester gets off on the wrong foot with Catherine, who calls on her mother late on the first evening of their arrival. Hester doesn't realize how important a benefactress Catherine is, and is rather rude and protective of her mother, and from this day forward, she and Catherine don't care much for one another. Catherine finds Hester standoffish, and Hester is influenced by the cutting remarks about Catherine by her neighbors, who are a kind of Greek chorus of frenemies. The only neighbors who seem thankful and benevolent are Captain and Mrs. Morgan, who related to Catherine's later mother, and are not technically Vernons. 

Things in Redborough are fairly uneventful until Hester turns nineteen and blossoms into a lovely young woman, attracting the notice of two of her distant cousins, who have been chosen by Catherine to succeed her in running the bank -- the dull but handsome Harry, and the hardworking Edward, handpicked by Catherine as her surrogate son and heir. Harry is in love with Hester, but she's not interested, and Edward is attracted to her but can't risk incurring the wrath of Catherine, who has never liked Hester. Meanwhile, the Morgan's grandson Roland arrives, on the lookout for new investors in his stockbroking business, and Edward thinks this may be his chance to finally become independent of Catherine.

I really liked this novel -- it's fairly long, almost 500 pages, but I really got invested in the plot and the characters. I got so caught up in the story I finished it in only four days. A couple of the characters reminded me a bit of Jane Austen -- Roland's sister Emma shows up, desperate for a husband, and I found her somewhat like Lucy Steele from Sense and Sensibility, though she's not nearly as malicious.  It was nice to have a Victorian novel with strong women characters. Margaret Oliphant clearly had some ideas about working women, and expresses them through Hester's frustration:

"I thought you hated Catherine Vernon," Roland cried.

"I never said so," cried Hester; and then, after a pause, "but if I did, what does that matter? I should like to do what she did. Something of one's own free will—something that no one can tell you or require you to do—which is not even your duty bound down upon you. Something voluntary, even dangerous——" She paused again, with a smile[Pg 7] and a blush at her own vehemence, and shook her head. "That is exactly what I shall never have it in my power to do."

"I hope not, indeed, if it is dangerous," said Roland, with all that eyes could say to make the words eloquent. "Pardon me; but don't you think that is far less than what you have in your power? You can make others do: you can inspire . . .  and reward. That is a little highflown, perhaps. But there is nothing a man might not do, with you to encourage him. You make me wish to be a hero."

He laughed, but Hester did not laugh. She gave him a keen look, in which there was a touch of disdain. "Do you really think," she said, "that the charm of inspiring, as you call it, is what any reasonable creature would prefer to be doing? To make somebody else a hero rather than be a hero yourself? Women would need to be disinterested indeed if they like that best. I don't see it. Besides, we are not in the days of chivalry. What could you be inspired to do—make better bargains on your Stock Exchange?"

Margaret Oliphant was one of the most prolific Victorian authors,  probably the most prolific women author of the era. She published her first novel in 1849, when she was just 21, and published more than 120 novels, supporting her family after her husband's death in 1852. Like many Victorian women authors, only a few of them are still in print, though there are quite a few on ebook, and many are free through Project Gutenberg. I've now read six of her novels so far -- Hester; The Mystery of Mrs. Blencarrow, I've read three of her Carlingford Chronicles, Miss Marjoribanks and The Rector and The Doctor's Family, two novellas in one volume. Virago Modern Classics reprinted the rest of the series and I'm tempted to track those down as well. 

Classics Spin #23

I haven't participated in a Classics Spin for a while, but what else do I have to do? I'll let the Classics Spin random number generator pick my next read. Next Monday, April 19, they'll announce a number from one to twenty, and that number will determine which book I should read from the twenty books I've selected below.  I'm nearly halfway through with my second Classics Club list, and all of these are books on my own shelves, so that's a win-win.

I've put them in random order to mix things up a bit and make it more interesting, I hope. Here's my list:

1. My American by Stella Gibbons
2. Noli Me Tangere by Jose Rizal
3. Jenny Wren by E. H. Young
4. Westwood by Stella Gibbons
5. The Fruit of the Tree by Edith Wharton
6. The Hireling by L. P. Hartley
7. The Portable Dorothy Parker by Dorothy Parker
8. The Misunderstanding by Irene Nemirovsky
9. Hudson River Bracketed by Edith Wharton
10. A Few Green Leaves by Barbara Pym
11. The Masqueraders by Georgette Heyer
12. Mandoa, Mandoa! by Winifred Holtby
13. A Pin to See the Peepshow by F. Tennyson Jesse
14. Beware of Pity by Stephan Zweig
15. Troy Chimneys by Margaret Kennedy
16. Invitation to the Waltz by Rosamund Lehmann
17. The Caravaners by Elizabeth von Arnim
18. Imperial Palace by Arnold Bennett
19. The Little Ottleys by Ada Leverson
20. The World My Wilderness by Rose Macauley

Most of these are Virago Modern Classics, all but three are by women writers. I think the one I'm least excited about is Dorothy Parker, as I have a hard time blogging about short stories. I'm hoping for one that I can count for one of the categories in the Back to the Classics Challenge. 

Bloggers, which of these do you recommend? And what's on your Classics Spin list? 

UPDATED: The Classics spin came up as #6, so I'll be reading The Hireling by L. P. Hartley. I'm very pleased and look forward to reading it!

Classics Spin #20: The Misses Mallet by E. H. Young

I love participating in the Classics Club Spins -- it's always fun to have someone else pick a book for you. I really want to read everything on my Classics Club list (and on all the TBR shelves, really!) and the periodic Spin challenges usually behoove me to read something that's been languishing on the shelves. I've had really good luck with all my Spin picks and I'm nearly always glad I read them.

This Spin pick was no different -- The Misses Mallett (originally published as The Bridge Dividing), published in 1922. I'd read Young's award-winning novel Miss Mole last year, so I was happy to finally tackle The Misses Mallett. Like Miss Mole, the novel is largely set in Radstowe (a fictionalized version of Bristol), probably around the Edwardian era.

In the first section of the book, the Misses Mallett are three sisters living in Nelson Lodge: Caroline, Sophie, and their much younger half-sister Rose. Caroline and Sophie are probably in their forties when the book starts -- they're more than twenty years older than Rose, the child of their father's second marriage. When her mother died in childbirth, Caroline and Sophie cared for Rose as though she were their own child. The Misses Mallett are from an old family and are financially independent. Neither had any desire to marry, though they spend a lot of time reminiscing about their old beaus and romantic conquests. Caroline, the dominant older sister, seems quite proud to have been a bit of a flirt in her day, and Sophie, who is shyer and dreamier, secretly pines for a long-lost lover her sister never knew about.

Rose is in her early twenties, and Caroline and Sophie think she is fit for a king. However, they really expect her to marry a local landowner, Francis Sales, who's known Rose since they were children. Rose seems indifferent to Francis, who goes off in a huff to Canada and shocks everyone when he returns with a bride, Christabel, and there's a big plot twist.

E. H. Young, 1932. From the National Portrait Gallery, UK

Later, the fourth Miss Mallett arrives: Henrietta, their niece, whom they have never met. Her father Reginald (the younger brother of the oldest Miss Malletts) is a bit of a ne'er-do-well and was disinherited by his father, though he shows up periodically looking for money. Eventually his only child is orphaned and has grown up in straightened circumstances, but her aunts welcome her with open arms.

Henrietta was her father's daughter, willful and lovable, but she was also the daughter of that mother who had been good and loving. Henrietta had her father's passion for excitement, but being a woman, she had the greater need of being loved. 

Eventually, there is a love triangle which becomes a love quadrangle, and then (I suppose) a quintangle. (Is that even a real word? Or would it be a pentangle?) Nevertheless, it all becomes very muddled, and there is another family involved, and more plot twists. The ending was a little predictable, but satisfying, though I wouldn't have minded if it had gone a different way. I really enjoyed this novel -- the female characters were all very distinctive and well-drawn, though Francis Sales was a bit flat. And the writing was excellent, with lovely descriptions. A great Spin pick!

E. H. Young was a very popular writer in the first half of the century, and published eleven novels and two children's books before her death in 1949. I'm pretty sure all of her novels are out of print, though several were reprinted by Virago Modern Classics and most of them are easily available as reasonably priced used paperbacks. I still have three more of her novels on the TBR shelves, all VMC editions: Jenny Wren; William; and Chatterton Square, which I've been wanting to read ever since Simon and Rachel discussed it on Episode 40 of Tea or Books?, my favorite bookish podcast.

Bloggers, did you participate in the Classics Club Spin? How did you like your pick? And should I just poll my readers to choose my next book?

Classics Club Spin #17

I've narrowed my new Classics Club list down to 20 books for the next Classics Club Spin. On Friday the Classics Club will randomly choose a number from one to twenty. The number from this list that corresponds will be one of my next reads, and I'll post about it sometime in April. Wish me luck!

Four books I really want to read: 

1. Bond Street Story by Norman Collins
2. Westwood by Stella Gibbons
3. One Fine Day by Mollie Panter-Downes
4. Summer Half by Angela Thirkell

Four books I've been putting off forever:

5. Alas, Poor Lady by Rachel Ferguson
6. A Pair of Blue Eyes by Thomas Hardy
7. Under the Greenwood Tree by Thomas Hardy
8. The Pumpkin-Eater by Penelope Mortimer

Four Virago Modern Classics:

9. A Pin to See the Peepshow by F. Tennyson Jesse
10. Invitation to the Waltz by Rosamund Lehmann
11. The Little Ottleys by Ada Leverson
12. The World My Wilderness by Rose Macauley

Four by Anthony Trollope:

13. Is He Popinjoy? by Anthony Trollope
14. Kept in the Dark by Anthony Trollope
15. Linda Tressel and Nina Balatka by Anthony Trollope
16. An Old Man's Love by Anthony Trollope

Four by Emile Zola:

17. La Debacle by Emile Zola
18. The Fortunes of the Rougons by Emile Zola
19. A Love Story by Emile Zola
20. Money by Emile Zola

Updated: The Classics Spin has spoken, and I've been assigned #3 One Fine Day by Mollie Panter-Downes -- I'm so pleased! 

Bloggers, which do you recommend? And is anyone else participating in the next Spin?